Octopus 24: Ricochet
Curated by Patrice Sharkey

Since 2001, the annual Octopus exhibition series has supported ambitious curatorial practice, inviting a curator to develop a project informed by their current research and providing a platform for new forms of exhibition making. This year, Gertrude welcomes Patrice Sharkey, who has drawn upon her ongoing interest in revisionist histories and intergenerational exchange, alongside a sustained engagement with artists she encountered and collaborated with during her time as the Artistic Director of Adelaide Contemporary Experimental. 

Ricochet is an exhibition conceived to honour those who have reckoned—and continue to reckon—with the power of representation to influence our social and political lives. Forming the foundation of Ricochet are multidisciplinary visual artist Destiny Deacon (KuKu and Erub/Mer, b.1957), electronic music pioneer and performance artist Cosey Fanni Tutti (b.1951), and social history photographer and gay rights activist William Yang (b.1943).  

Each groundbreaking in their own right, these artists are united by a compelling, often subversive, ability to blend autobiography and performativity—whether examining the wide discrepancies between representations of Aboriginal people by the white Australian population and the reality of Aboriginal life (Deacon); channeling personal experiences in pornographic modeling and striptease (Tutti); or documenting Australia’s queer scene in the late 1970s and 1980s (Yang). 

Select works by Deacon, Tutti, and Yang are presented in dialogue with new commissions by South Australia-based artists Chelsea Farquhar, Dominic Guerrera (Kaurna, Ngarrindjeri), and Truc Truong. In so doing, Ricochet recognises the work undertaken by these senior artists to broaden critical spaces around lived experience, thereby paving the way for a new generation to interrogate ideas of community, sexuality, activism and life as art.