Hours of operation

Salle de Reconnaissance
Curated by Michele Helmrich

7 September -
30 September 1989

200 Gertrude Street

200 Gertrude Street, Fitzroy

Salle de Reconnaissance was a group show curated by Michele Helmrich, featuring works by Diena Georgetti, Belinda Gunn, Redford/Webb, Luke Roberts and Hiram To. Presented by Gertrude Contemporary at 200 Gertrude Street from the 9th - 30th September, 1989.

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Diena Georgetti, Cadaver of Art, 1989, photographic image on canvas, 21x29.2cm. Image courtesy of Gertrude Archive.

Diena Georgetti, Crown the Clock, 1989, photographic image on canvas, 21x29.2cm. Image courtesy of Gertrude Archive.

Diena Georgetti, Maquette, 1989, wood, electric conduit and putty, 21x29.2cm. Image courtesy of Gertrude Archive.

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Diena Georgetti, From Life to Death. From Death to Life, 1989, photographic image on canvas, 21x29.2cm. Image courtesy of Gertrude Archive.

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Hiram To, Painting, 1988-89, galvanised iron construction, 101x83x7.5cm. Image courtesy of Gertrude Archive.

Hiram To, Comme Des Garcons Shirt, type C prints on custom wood, felt, and wood frame, 120x100cm. Image courtesy of Gertrude Archive.

Hiram To, Junior Gaultier, 1988-89, type C prints on custom wood, felt, and wood frame, 120x100cm. Image courtesy of Gertrude Archive.

Hiram To, Yohji Yamamoto Pour Homme, 1988-89, type C prints on custom wood, felt, and wood frame, 120x100x7cm. Image courtesy of Gertrude Archive.

Luke Roberts, Frida and Ned, 1988, Black and White Prints, 100x100cm each. Image courtesy of Gertrude Archive.

Luke Roberts, Frida and Ned, 1988, Black and White Prints, 100x100cm each. Image courtesy of Gertrude Archive.

Luke Roberts, Frida and Ned (detail), 1988, Black and White Prints, 100x100cm each. Image courtesy of Gertrude Archive.

Luke Roberts, Galvanised Iron Constructions, 1989. Image courtesy of Gertrude Archive.

Luke Roberts installation view for Salle de Reconnaissance, 1989. Image courtesy of Gertrude Archives.

Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Installation view of Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Installation view of Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Installation view of Redford/Webb, A Richer Fare, C-type prints, size variable. Image courtesy of Gertrude Archive.

Installation view, Belinda Gunn & Diena George, Salle de Reconnaissance, 1989. Image Courtesy of Gertrude Archive.

All images courtesy of the Gertrude Archive. Images and materials for this record were digitised in 2024 & 2025 by Cooper Motley & Sharon Flynn.